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A concept album based on the album genre

Yes, I have a habit of over-complicating and thinking things through a little too much. But, and yes here I go again, I have a plan for FAWM. The plan with FAWM is to write an album of 14 songs in one month. So I thought I would play around with this. I have the concept of a perfect album in my head, not the tunes or the songs, but what the perfect album should contain. This has been created and inspired by my favourite bands, predominantly through the 80s but also before and after then with nods to Bowie and later bands who have, in their own way, sung along with my mythical vision.

You’ll need to bear with me with this for the next month or so as I begin to explain exactly what I am on about. The thing is I am going to create a concept album that is based on what I believe the perfect album should be. This will be my primary inspiration for each song I write for FAWM. I may, or may not, have another concept to inspire the actual lyrics and sound, that is tomorrow’s task.

I know that this could all fall horribly apart but I am also very excited about the whole concept. It is interesting because I had also penned in this year to be the year of genre breaking (that’s another post). And yet here I am actually using genre as my framework. Okay, the whole thinking behind FAWM uses the genre of the album, so I am already part of the machine.

So what exactly am I on about. Here’s what I mean, well, just a short selection. For me the perfect album has the following:

  • ‘the perfect opening track’ – this is a builder, it introduces the general sound of the rest of the songs, and draws you in to what follows, it never quite peaks… as we say, always leave them wanting more.
  • ‘the single’ – the song that everyone knows by the band, the one that gets played everywhere, all the time
  • ‘the ballad’ – the slow(?) love song, that will be played as ‘the first song’ at ‘fans’ weddings’
  • ‘the anthemic closing track’  - for me track 10 should be the song that pushes the artist, both musically and lyrically

These are only my initial thoughts and there are a whole lot more on my mind map. However, if there are any ‘songs’ you think should be included on the perfect album let me know in the comments, you never know you could be my muse. I have 14* tracks to write over the month, so thoughts are always appreciated.

*14 tracks, but you said track 10 was the closing track. Yes, the other 4 are the b-sides or tracks that don’t quite make the album. I’ve thought of everything… almost.

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Looking forward to a musical February with FAWM

One of the biggest challenges for me is to realise how much I actually do. I am constantly beating myself up for not being as creative as I could be, without realising what I have achieved. That is one of the reasons this little creativity blog is here, to record what I have done. I am also using, as part of a general what have I been up to craze, I Done This a neat little site that enables me to record anything that I did the day before. The cool idea behind this is that it sends me an email the following day and I reply, listing anything I have done on a new line and voila it records it for me. Just having to think back over the day before has shown me I do a lot more than I think.

Guitar practice

I have been practising my guitar. Or more specifically lead guitar lines (or licks as we say in the guitar jargon world). I’m not great at this sort of thing as I am primarily a chords man, but I thought it was a good habit to get into to stretch myself. So if you see me struggling over playing a few notes here and there you’ll know why.

F.A.W.M

I am going to attempt to write 14.5 songs in 29 days. Yes, I have thrown my hat into the ring for FAWM, the February album writing month. The aim is to write 14 (and a half, seeing as it is a leap year) songs in 29 days. I don’t normally struggle writing songs, but the time limit will help me get over the perfectionist in me that so often stops an idea coming to fruition. I’ll be updating here and various other places with my progress, so any cheers appreciated. In the meantime I have a blues riff to master.

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Stepping out of our musical comfort zone

It feels like I’ve been spending all my time recently planning the next five years. And to be honest I have. But I have also been writing some songs away in the background, and I should be recording that here. (Did I really just start two sentences with and and but? I break conventions)

Okay, back on track. I have been writing a song that is outside my comfort zone, is about a subject I would not normally write about. I’ll get some rough demos out as soon as possible, but as the song is specifically for someone else they will probably get to hear it first.

So, in summary, it has been good to do something I wouldn’t normally do.

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I can do the 80s now

When I bought John Foxx’s The Garden I was both happy and sad. The happiness came from an admiration and love of the songs. But my sadness was because there was something missing from this his second solo release. His first, Metamatic, was a unique futuristic album that captured the sparse, urban, digital world we had entered, it was 1980.

Ironically the sound that was missing, as I later worked out, was a drum machine. The Garden, whilst using drum machines had moved into the realm where the aim was to make it sound like a real drummer. And the irony was, it was an analogue sound that had made Metamatic sound so wonderful. Anyway, I have found myself a VST instrument to play with. Yes a CR78 drum machine VST, which, I’m pretty sure was used on Metamatic and certainly on other futuristic albums of the time… and for those who aren’t familiar with Metamatic just think of the opening beats of Enola Gay by Orchestral Manoeuvres in the Dark and you’ll know what I am talking about.

CR78 drum machine